Location stories,
shot while you work.
Some films only work on the ground where the job happens. We bring a small crew, use the light the room already has, and plan the day around your shift. The work keeps running. The story stays true.
- Crew
- Small by design, two people on most days
- Light
- Natural first, panels only when needed
- Plan
- Recce first, call sheet before the shoot
Where we film
Five settings we shoot in often. Most jobs use two of them in a single day. Tell us the site and we will say what fits.
- The working floor Workshops, plants and yards while the shift runs. We film the real thing, so the pace and the noise stay honest. Recce · Safety brief · Two-person crew
- Out on the job Installs, site visits and call-outs. We travel light and ride along, then shoot around the work as it happens. Travel kit · Radio mics · Weather plan
- Where the product is made The bench, the line, the hands. Close work shot on the spot, cut so a buyer can see why the price is the price. Macro · Practical light · Stills
- Your people, in their place Short pieces to camera filmed where someone actually works. People sound like themselves on their own ground. Interview · Coaching · Clean audio
- Town, street and site The place your brand belongs to. Early light, long lenses and a route planned the day before we arrive. Golden hour · Permits checked · Drone optional
We fit the day. The day does not fit us.
A big crew stops a working site. So we keep ours small and quiet. We shoot around the shift, not through it. If a machine has to run, we film it running. If a room goes busy, we move to the next block on the sheet and come back later.
That habit comes from scoping the job properly first. We talk before we quote, and the number covers the day we actually planned. See budgets and scoping for how we price it, or our process for the full run from first call to final master.
How a location day runs
Four stages, start to hand back. You sign off at each gate. Nothing gets booked on a maybe.
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The recce
We walk the site with you before the shoot. Light, noise, power and access all get checked in person.
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A plan you can post
You get a call sheet with times, rooms and names. Your team knows where we are all day and who to ask.
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Shoot day
A small crew moves through the plan. Work carries on around us. If a job runs late, we film the next block.
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Cut and hand back
You see a rough cut, then two rounds of notes. Masters, cutdowns and subtitles land in one tidy folder.
What arrives with us
No lorry, no lighting rig, no crowd in the corridor. Here is what comes through your door on a normal location day.
Need something else on site? Ask early and we will price it before the day, not after.
- Crew size
- Two people as standard. Three when sound and light both need a hand.
- Light
- Natural first. Small panels only where a room gives us nothing.
- Sound
- Radio mics plus a boom. Machines running is fine, we plan around it.
- Access
- Inductions, PPE and sign-in done before the day, not at the gate.
- Stills
- Photography from the same visit, so one trip covers both.