Film made by the
people who planned it.
We plan, shoot and edit under one roof. The person who scoped your film is on set for it. Nothing is handed to a stranger halfway through, so the idea you approved is the idea you get.
- Crew
- In house, from scope to final cut
- Budget
- Agreed before a crew day is booked
- Rounds
- Rough cut plus two rounds of notes
What we shoot
Five formats, one crew. Most projects mix two of them. Tell us the goal and we will say which ones earn their place.
- Commercials Short ad films built around one idea. We write it, shoot it, then cut it to every length your media plan needs. Concept · Script · Shoot · Cutdowns
- Corporate film Culture, capability and recruitment films. Real people on camera, coached on the day so they sound like themselves. Interviews · B-roll · Music · Grade
- Training video Teaching video people watch to the end. Clear scripts, clean sound and chapters a viewer can jump straight to. Script · Chapters · Captions · Host
- Location stories Your site, your team, your machines. We travel light and work around the shift, so the day keeps running. Recce · Small crew · Natural light
- Product showcases Close, honest looks at the thing you sell. Lit on a table or on the line so the small details still read. Tabletop · Macro · Motion · Stills
We call before we quote. Every time.
A number written before anyone understands your market is a guess. So we start with a conversation about the audience and the goal. Then we scope the film to the money you actually have. If the idea is too big for the budget, we say so early and reshape it.
That honesty is the reason clients keep the same crew for the next one. It is also why the website and the film can share a plan. See web development for the build side, or marketing for the campaign around it.
How a shoot runs
Four stages from first call to final master. You approve the work at every gate. Nothing moves forward on a maybe.
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We call before we quote
First we learn the audience, the goal and the money. Only then does a number go on paper. No blind estimates.
How we scope budgets -
Treatment and shot list
You see the idea written down, shot by shot. Approve both and we book the crew. Nothing gets booked before that.
Our process in full -
Shoot for the edit
On set we cover the scene properly. Clean audio, a proper slate, and the same crew who scoped the job.
Meet the crew -
Cut, notes, deliver
You get a rough cut, then two rounds of notes. Then the masters land in the formats you actually publish in.
See selected work
What you get back
Delivery is a list, not a surprise. Here is what lands in your folder when the job closes. Ask for something else and we will price it up front.
Files arrive named and sorted. Your own team can publish them without calling us first.
- Master file
- Graded, mixed, in the codec your channel wants.
- Cutdowns
- Social lengths and aspect ratios cut from the same edit.
- Subtitles
- Burned-in and sidecar files, checked by a human.
- Stills
- Frame grabs and shot photography from the same day.
- Raw footage
- Yours on request. We hand over the card, not a bill.